As I kind of said most of what’s been happening on Thursday, today’s post is a little shorter than normal!
This week has been all about submissions. One thing I’m working on, and trying to improve each time, is the accompanying paperwork.
I’ve talked about the synopsis before but it’s also the covering letter, any additional short biographies and so on – all these need to be tailored. Sometimes there are boxes on a screen to fill in, sometimes documents have to be uploaded, or emailed. Some agents still only accept postal submissions.
For me, the key is to read the requirements at least twice before I start. I also have to re-read everything I add at least twice at the end but that’s probably a nervous tic rather than a requirement!
Of course that doesn’t mean you won’t get caught out – when I first sent a submission out I got a response saying the agent was now focussing solely on historical fiction. Once I contacted – the agent of a writer I thought was a great example of my tone and in the right genre – had decided to focus solely on non-fiction work. Again, that wasn’t noted on the website or in The Writers and Artists Yearbook which had been my first port of call.
But putting those issues aside, we writers have one opportunity to catch the attention of our agent audience. For me, that means if I don’t get a positive response I have to review how I am selling my work, and myself as a writer. I am not changing my story but I can change how I describe it, how I engage with the reader. Even the most basic letter – a two paragraph description of myself and my story – has to be lively and capture attention.
I have to be honest and say that I’m still working on this. But each attempt gets a little better and more natural, and that’s got to be good for the future.
Until I get picked up (or give up on being picked up) by an agent, part of my job as a writer is to keep improving, editing and revising my sales pitch, as I did the novel itself.
It will all be worth it when I get a positive response.
Happy writing,
EJ
🙂