I am continuing my work on setting for another week as I lost some time over the last few days and need to finish off some half-thought ideas.
One of these is about the emotional response a character will have to a place, and how this can be conveyed. I did a couple of writing exercises on this recently but I wasn’t happy with the outcome and know I need to improve in this area.
We all have emotional responses to places, and our characters should be just the same. The response could be completely logical – a sense of happiness where they met their partner, a feeling of dread from their old school hall imagining sitting their exams. Perhaps a sense of desolation when walking through a cemetery towards a funeral.
But there are also illogical or unexplained feelings: feeling at home in an empty house they are viewing, or of loss as they stand in ancient ruins. Feeling frightened, nervous, or overwhelmed: allowing your character’s fight or flight reflex take over.
It is my job as a writer to build these feelings into a story in a way that is relevant, meaningful, and subtle: no-one wants the subtext slapping them in the face every few pages!
They have to be integral to the experience of that specific character in that specific place and are a reflection of the world as seen by your character.
In fact, you need to know the related backstory e.g. she feels nervous on busses because one of her earliest memories was of falling down the stairs of a double decker; he feels sad in the old shed because his grandfather used to take him fishing and it’s full of his grandfather’s old fishing rods which haven’t been used since his heart attack.
I know what I need to do and I am going to put my attention to it this week. People are strange, as The Doors told us. By using setting and emotion more effectively I can explain why!
Happy writing,
EJ
🙂
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